It’s really easy to take good pictures of my nephew Branson, he’s soooo cute. Here are a couple from Mother’s Day (May 14, 2008):

But it would also be easy (actually, easier) to mess up these shots. My mom (shown with Branson in the next picture) asked me what it is that makes my pictures look good. There are 4 basics — including the easiest “trick” of them all — that anyone can do to make their images look great:

1. Have a great subject that tells an emotional story. Clearly this is the key to any great photo … if you can tell a story and if you can interact emotionally with the viewer, then you’ve done your job as a photographer. Have a great subject, know the story you’re telling, and make sure you capture it.

2. Be able to identify the great shots. I take a lot of shots. On Mother’s Day I was hardly took any pictures … for me. That means I only took about 100 shots throughout the day — of which I liked perhaps 4. This is THE BIGGEST SECRET TRICK of all good photographers: Eliminate 98% or more of your shots, and only show the very, very best. With this trick, pretty much anyone’s work can look good. Of course, this requires that you can IDENTIFY the great shots, that you’ve got the technical aspects handled, and that you captured a good subject … but this is the easiest way to improve your photography: Only show your very best images.

3. Find great light. Always, always be looking for great light. Where is it coming from? What is its quality? Is it hard light or soft light, one source or multiples, dramatic or bland? I actually bought my loft based upon the quality of the light here: huge windows with the sun coming in just right means it’s easy to shoot here. But no matter where I am, if I see soft, natural, beautiful light then I can’t but help think about pictures. My “trigger finger” actually gets itchy … it’s funny. Know what good light looks like, and start recognizing and mentally cataloging those places where you can find or make it.

4. Know your tools! As in any art, you cannot seamlessly create what you want unless you have a mastery of the tools. Start with the basics: read your camera’s manual and buy Photoshop’s “Classroom in a Book”. Practice and drill both. Know your tools first, this is the foundation for being able to accomplish any of these points.

In the photos here, the reason the pictures look technically okay is (a) I used a good lens for portraits (50mm) with a low aperture setting to create a shallow depth-of-field. If you don’t know what this means, then you don’t know your equipment… and therefore you’re not going to get the shots you want, and (b) I used Photoshop to its full capabilities to create the beautiful black & white tones.

There’s always more, of course, but if you capture an emotional subject technically well and in great light, and only show the best images from your shoot … then you’re 95% of the way to an amazing photograph.

I thought I’d take a late night walk and play with the camera for a few minutes. I got lucky and a train was going by (well, I had to run and barely caught the tail end of it) and got this 30 second exposure of Santa Ana Blvd. I’ll have to go again and get a close-up of the gates going up next time:

I turned around for another 25 or 30 second exposure for this dramatic street-corner view of the Santiago Street Lofts.

I think this is the better shot of the two, clearly.

I was trying to see what could be doing using Photoshop’s HDR (high dynamic range) module … you take a photo at 3 different exposures (okay, too dark, and too light) and you’re then supposed to be able to use Photoshop to recombine those images and pull out the best details of each into a new and spectacular image. Unfortunately, it didn’t work well at all with what I was trying to do. I’ll have to try HDR again some other time … since it’s all the rage right now. (It’s actually overly trendy and overly done, but I’ve seen some amazing black & white photos where all the additional detail gives the feeling of an old-school silver print … and that’s what I’d like to create.)

I just love this:

Photoshop Disasters

Probably the most looked at post I have here is this post covering how to use Photoshop to create effects like those featured in the movie 300. There’s been lots of talk on it, here and online on some Forums.

I just watched the movie again the other night, and I noticed that there is no one, single “300 effect” used throughout. Read the rest of this entry »

Here’s the photoshop tutorial on how to take any new photo and make it “any old photo.” Actually … it’s a fairly simple process (if you know your photoshop basics) to place anything onto a textured background. It’s probably not earth shattering, but I haven’t come across it in my 18 years of image editing, so maybe it can be helpful for you as well.

Read the rest of this entry »

While I’m waiting in the hospital lobby, I wanted to see if anyone out there had seen any good techniques for recreating the effects in the movie “300.”

The directors talked about the post-processing of the film as “The Crush,” where they crushed the blacks down to increase contrast, then enhanced the saturation. But it’s clearly more than that … they’ve also color-graded the film, lit it specially, etc. Here’s a good sample:

I was inspired to create something similar. So I played around in photoshop Read the rest of this entry »